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<dc:title xml:lang="fr">Écrire l’événement : poétiques de la revenance chez Tierno Monénembo, Kossi Efoui et Abdourahman A. Waberi</dc:title>
<dcterms:alternative xml:lang="en">Writing the event : poetics of revenance in Tierno Monénembo, Kossi Efoui and Abdourahman A. Waberi</dcterms:alternative>
<dc:subject xml:lang="fr">Revenances</dc:subject>
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<dc:subject xml:lang="fr">Postcolonialisme</dc:subject>
<dc:subject xml:lang="en">Revenances</dc:subject>
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<dcterms:abstract xml:lang="fr">Cette thèse a pour objet d’apporter un éclairage sur l’écriture de l’événement en littérature francophone d’Afrique subsaharienne. Elle s’adosse à un corpus composé de huit romans : Un rêve utile (1991), Un attiékè pour Elgass (1993), Bled (2016) du Guinéen Tierno Monénembo, Solo d'un revenant (2008), L’ombre des choses à venir (2011), Cantique de l’acacia (2017) du Togolais Kossi Efoui, Passage des larmes (2003) et Transit (2009) du Djiboutien Abdourahman A. Waberi. Cette recherche met en évidence les manières dont ces auteurs modélisent l’Histoire par une écriture dont la mise en œuvre témoigne d’une expérience du temps et que l’universitaire Jean-François Hamel théorise et nomme la « revenance ». Monénembo, Efoui et Waberi développent leur conception de l’historicité qui est de l’ordre de cette « revenance » en tant que mouvement récurrent et rétrospectif d’un présent qui se retourne constamment vers un passé qu’il rumine en quelque sorte. Ils reprennent l’histoire. Reprendre : au sens de repriser l’imaginaire formé sur une histoire vécue dont la lecture est faite de méprises ; mais aussi s’emparer de la possibilité que donne l’écriture d’une prise possible sur le cours de cette histoire.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The aim of this thesis is to shed light on the writing of the event in French-language literature from sub-Saharan Africa. It is based on a corpus of eight novels: Un rêve utile (1991), Un attiékè pour Elgass (1993), Bled (2016) by Guinean author Tierno Monénembo, Solo d'un revenant (2008), L'Ombre des choses à venir (2011), Cantique de l'acacia (2017) by Togolese author Kossi Efoui, Passage des larmes (2003) and Transit (2009) by Djiboutian author Abdourahman A. Waberi. This research highlights the ways in which these authors model history through writing whose implementation bears witness to an experience of time and which academic Jean-François Hamel theorizes and calls "revenance". Monénembo, Efoui and Waberi develop their conception of historicity, which is of the order of this "revenance" as a recurrent, retrospective movement of a present that constantly returns to a past that it ruminates, as it were. They take history back. Taking it back: in the sense of darning the imaginary formed on a lived history whose reading is made up of misunderstandings; but also seizing the possibility offered by writing of a possible grip on the course of this history.</dcterms:abstract>
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